{"product_id":"elara-2","title":"Elara-2","description":"\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eAbout the work\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eShe has stopped pretending to be fine.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eWhere \u003cem\u003eElara-1\u003c\/em\u003e carried her weight in half-closed eyes and quiet distance, \u003cem\u003eElara-2\u003c\/em\u003e makes no such effort at composure. The head is turned, the gaze cast downward and sideward — not in contemplation but in something rawer, less managed. A single sensor pin rises from the crown of the skull like an antenna stripped of its casing. The mechanical architecture of the neck and torso is exposed, functional, undecorated. This is a robot that has stopped performing humanity and started living it.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eDi Nicolantonio draws the Elara lineage here at its most psychologically complex. The face is almost entirely human — the geometry of bone, the weight of an expression that has no name in any engineering specification. The body tells a different story: plating, actuators, the circular sensor clusters of a system built for endurance across environments no biological organism was designed to survive. The contradiction between face and body is not a design flaw. It is the point.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cem\u003eElara-2\u003c\/em\u003e is the figure that asks the question no robotics company has yet put in a brief: what do we owe a machine that has learned to suffer?\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eIn the Futuropia universe, this is the second generation — the one that came back from the outer missions changed in ways that were not in the return protocol.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eAn original drawing from the \u003cem\u003eRobots\u003c\/em\u003e series by artist-futurist Sébastien Di Nicolantonio.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eEdition\u003c\/strong\u003e Unique original — one of a kind\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eSignature\u003c\/strong\u003e Hand-signed by the artist\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eAuthentication\u003c\/strong\u003e Sold with certificate of authenticity and gallery invoice\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eTechnique\u003c\/strong\u003e Original drawing — pen on paper\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e 29.7 × 42 cm — A3 format\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eFraming\u003c\/strong\u003e Unframed — framing available upon request\u003c\/p\u003e","brand":"FUTUROPIA WORLD","offers":[{"title":"Default Title","offer_id":58164259258693,"sku":null,"price":850.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1033\/6541\/1141\/files\/20260602_090647.jpg?v=1780508425","url":"https:\/\/www.futuropiaworld.com\/products\/elara-2","provider":"FUTUROPIA WORLD","version":"1.0","type":"link"}